BW’s Saturday Article Link> The Voice Of Mario Speaks

Does this mean he also eats stars, Tanookis, flowers, cats….

Charles Martinet has until recently been the voice of Mario–and everyone forgets also the voice of Luigi–for years, defining their voices until his recent retirement from voicing the Mario Brothers. In my opinion he should have voiced them in the animated movie, but they have to have the celebrity voices for the talk shows (another reason I won’t miss them when they finally complete their suicide). In this article from Gaming Bible Martinet discussing coming up with Mario’s voice (this article also forgets Luigi) and his time as the Donkey Kong player character turned spinoff character.

 

CBS Transformers> The Second Draft part 7: Reformatting The Format

Here’s something I wasn’t expecting to say: the pitch is about to break the fourth wall.

So far the second attempt at bringing Transformers to CBS Saturday Mornings, where we just finished looking at the cast, has used the format of someone in-universe looking into the current situation of the Decepticons taking over the planet, with the Autobots as a rebel group with a trio of human allies who aren’t the ones we saw them make in “More Than Meets The Eye”, with no explanation of what happened to Sparkplug and Spike. Instead we have a trucker, a teenager, the kid who keeps trying to earn the Darwin Award because he wants to see the cool fighting (some characters even I can’t defend, and I’ll back Scrappy-Doo, Godzooki, and Snarf), and a dog. It just feels like a step down.

However, now we’re getting into the format for the show and despite continuing to play to the bit there is no way to explain the show in universe. Considering the whole point of a pitch is explaining the show to the network, and in this case the licensee, it’s more important to have the right information than play up being in the story. We’re also somewhere closer to the original series idea. No glowy orbs possessing machines. No dead Decepticons (not en masse anyway), and everybody’s personalities and genders are in line with the tech specs, getting two new female Transformers long before the actual series would end up picking them up.

So what could we have looked forward to format-wise had CBS and Hasbro signed off on this?

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“Yesterday’s” Comic> Zip Comics #1

“Hey, you should have bought a ticket like everyone else!”

Zip Comics #1

MLJ Magazines (February, 1940)

Another new anthology. There’s only one character in this list I know: Steel Sterling, the cover character. He’s one of the heroes Archie tried to bring back in the 1990s and early 2000s. Everyone else is going to be completely new to me. Will they be any good is the question.

[Read along with me here]

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BW’s Daily Video> Giant Stop Killing Games Update

Follow events at the Accursed Farms YouTube channel

 

Saving Your Show Isn’t The Fans’ Job

I don’t get to cover fan conventions anymore. I don’t have the time and I haven’t been able to stay awake as much as I’d like lately. I’m hoping to attend a nearby small free convention this weekend for fun but that will depend on the weather and how I’m feeling at the time. Fans are important to a movie, show, book, or whatever because they’re the ones who make a brand into a popular Brand, the property other creators want to use for the Name without understanding why a brand becomes a Brand, if you see what I’m doing with the lettering. It’s the fans that spend the money on merchandise, keep the love going with each other, and if they aren’t insane, draw in new viewers, listeners, readers, and players.

The above tweet on X-twitter (if it’s still up when you read this) comes from Christopher Cushman, who has done art projects for the Star Trek franchise, following this with:

“If Trek fails fans will have an equal share in that outcome. My past criticism has always been vocal about the destruction of TOS storylines… Academy is 1000 years in the future and poses little to no risk to that continuity… if you hate it don’t watch!”

That leads me to ask how one saves a franchise while not supporting a show they don’t like. The studios, That’s all TV broadcasters, and streamers really look at because that’s what the advertisers look at and what brings people to subscribe to paid services like Paramount Plus. I saw this in Geeks & Gamers article by Martin Montanaro and his commentary on that show specifically is better than I could give it, not having seen the show or followed the “review bombing” situation.

This is more of an overview for me because I see the argument that we the fans need to support something even if it’s terrible or the franchise may disappear. Considering that Alex Kurtzman’s and Secret Hideout’s take on Star Trek have been getting negative reviews from Star Trek fans since the beginning with Star Trek: Discovery that doesn’t appear to be the case. They still put out new shows and YouTube critics and fans keep roasting them. Star Trek is still culturally iconic, though it seems like Kurtzman doesn’t care. Kurtzman was hired by self-admitted Trek hater Les Moonves before he left CBSViacom during the remerging of Paramount and Viacom as a possible shot at Trek and then Paramount CEO Shari Redstone. Moonves made sure the contract survived his time at the company. Kurtzman has stated that he doesn’t care about continuing the lore (and that’s been obvious, especially in Starfleet Academy‘s take on Klingons) but what message he can send with the Brand. He doesn’t understand why it’s popular enough to have Paramount continue to make Trek series, nor does he care.

As Montanaro pointed out in the article, the fault lies with the creators, not the lack of support from the fans, if the Star Trek franchise dies under Secret Hideout. However, I’ve seen this argument by people like Cushman before, by creators, companies, and even fans. “You need to support (X) or the whole franchise will be wiped out”, even when the media attached is bad. This is a misunderstanding of how the system works, and how the people responsible for greenlighting or shutting down production operates….not that they’re doing it right in the first place.

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“Yesterday’s” Comic> Fathom: Beginnings vol 2 #1

“I think we used the wrong lightbulb.”

Michael Turner’s Fathom: Beginnings vol 2 #1

Aspen MLT (digital copy–February, 2011)

WRITERS: J.T. Krull & Michael Turner (creator)

PENCILER: Koi Turnbull

INKER: Jason Gorder

COLORIST: Christina Strain

LETTERING: Dreamer Design

DIGITAL EDITORS: Frank Mastromauro & Vince Hernandez

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BW’s Daily Video> Actors Trying To Avoid Politics

Catch more from Disparu on YouTube

It’s a start.