Saturday Night Showcase> Animal Farm (audio and animated)

A two for one tonight, because the early reviews are in for Angel Studio’s adaptation of the classic George Orwell book Animal Farm and they’re…not very good.

That’s Disparu (this is a bonus, not part of tonight’s Showcase) going over the reviews and it seems Andy Serkis didn’t get the point of the book. “It’s a story with funny talking animals. It should be like Disney.” No, it should not. Odds they ruin Watership Down next because they’re all fuzzy bunnies? At this point I don’t know if I’m giving them ideas or not.

Fortunately, better adaptations are available and they’re coming to you tonight. Orwell’s classic examination of fascism and maybe communism? I haven’t read it since high school but it was one of the few books from high school I remember enjoying reading. It was inspired by the Russian Revolution and the rise of Joseph Stalin. Orwell was not a fan of Stalin. The book follows a group of animals taking over a farm from a mean farmer and starting a new farm with them in charge. At least until one of the pigs takes over himself, boosts his own kind, and at the end of the book the animals can’t tell the difference between the pigs and the humans. I’m assuming this isn’t a spoiler after all this time.

So what are the two videos? Well, one is actually an audio adaptation because I could only find it on YouTube. In 1947, Orwell himself drafted a script for the radio play, and is probably the closest adaptation to the book. If that’s not you’re thing, the 1954 animated adaptation is closer to the book but made some changes for a happier ending. If you watched Disparu’s video, he already mentioned that the CIA was involved as part of their part in fighting the Cold War, but it’s still more faithful than what Serkis and Angel Studios is dropping on us. Choose your preference and enjoy.

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BW’s Saturday Article Link> Pragmata: Empathy Vs Experience

I tried to just bring up the video and not the full post, so sorry for the cursing. We all know by now that Hasan Piker is a jerk. The dude is so known for shocking his own dog to keep it on camera for the views that Vice President J.D. Vance even called him out on it. As you can see, Grummz on X/Twitter called him out for comments he made involving the game Pragmata, where you play an armored fighter dealing with crazed robots while bonding with an android in the form of a little girl who is also your ally.

That Park Place contributor Trevor Denning points out how stupid Piker’s statement is that gamers can’t relate to this situation because they can’t “get with women” (although there are plenty of gamers who can easily disprove that statement. Even if somehow he was, what he and too many modern storytellers don’t realize is that you don’t have to live an experience to empathise with one, plus you kind of are living the experience virtually through the game. One shouldn’t have to live in a fantasy world or be a gangster to get into stories based on those premises, or fight robots with an android companion hacking their systems so you won’t die. So why would a father/daughter dynamic be so hard to understand?

I’ve seen play of a demo and it looks like a fun game. As for the people trying to connect this to pedophiles or saying men can’t have paternal instincts…seek help!

[VIDEO] Westeros Vs Nobility

I get the feeling Leon isn’t a Game Of Thrones fan.

Neither am I, Leon. In fact, if it wasn’t for Literature Devil using so many other examples I’m totally familiar with, like Jean-Luc Picard and Superman, I probably wouldn’t post this video as my own frame of reference is discussions on YouTube channels I happen to enjoy. As it is, fantasy isn’t usually my genre, so it has to have something to grab my interest above the norm. The Game Of Thrones franchise is dark, depressing, and ruins anybody worth rooting for. Everyone seems to be a bad choice to run Westeros from my perspective so I’ve had no interest in watching or reading anything from it even if George R.R. Martin were capable of finishing it, which it doesn’t look like he is. Even the tales of Dunk and Egg, based on a graphic novel and praised for being almost anachronistic to the world of Westeros due to actually having a noble hero isn’t drawing me to see it.

That said, while Literature Devil uses the franchise as his opening framing, he goes a lot into the Star Trek: The Next Generation episode “Family” and Picard’s struggles with his time as Locutus of Borg. He goes into Superman and the false perception of being boring because of his nobility. He goes into the Punisher and who he won’t kill in his war against the mob. Nobility, virtue, the failed temptation of a hero versus the fall of the villain to temptation, are ultimately on the discussion block. So many writers today find the virtuous hero “boring” or “unrelatable”. These people scare me because it means they themselves are neither of those things, yet seek to lecture us on how to be a “good person”. They have no faith in humanity. I’ve seen the evils of man in my 50+ years of being on this planet, but I’ve also seen the good. I can’t believe that the human race as a whole are completely evil or completely good, though there are individuals who could claim something close to the title.

LD’s video runs a little over 45 minutes, but it’s a good watch to see just how these various stories approach good versus evil, comparing it to how it’s done these days, how (as the title states) Game Of Thrones betrays its heroes, and why punishing a character for their strengths and noble deed just brings everybody down, including the audience. It’s not a rejection. He goes over examples of the failed and fallen hero done well and he’s (as far as I’m aware) a fan of the franchise. However, he does make the point that, like Watchmen, writers fail to understand what makes it work and just devolve into cynical deconstruction in the beliefs that heroism is an illusion, and “good” and “evil” don’t exist. That is not good storytelling.

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“Yesterday’s” Comic> Prize Comics #1

“This is the handicap veteran’s spot, you jerk!”

Prize Comics #1

Feature Publications Incorporated (March, 1940)

Another new comic. Everyone wanted to do something with their presses between magazines back then. Or maybe by now comics were big enough that everyone wanted into that game. While nobody here is memorable, at least one character name made a return to comics in 2020. So either someone was remembered or someone desperate to make a comic without making their own characters went through the public domain and said “I can race/gender swap this one because they had a new name and this is decades later anyway”. Stay tuned to see who.

[Read along with me here]

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BW’s Daily Video> Musical Symbiotes

Catch more from Comics by Perch on YouTube

 

Masters Of The Universe’s International Trailer And A Preview By Pixel Dan

I didn’t think I’d be talking about this again so soon. Ordinarily I would just post the trailer as a Daily Video if that. I’ve already done two articles of the two previous trailers.

However, the latest “international” trailer for Amazon MGM’s Masters Of The Universe movie actually fixes a problem with the other two trailers. The first leaned heavy into the comedy, while the second leaned heavy into the action and still didn’t give us some of the things we see in the new trailer. Skeletor shows up more prominent. We see more of He-Man in action. And yet the comedy of the first trailer still makes its way in there.

We’re going to look at all three major trailers thus far and see the evolution of the promotion for this movie, because I find this interesting enough to make into an article on its own. Additionally, He-Man enthusiast Pixel Dan Eardley got to see the first 20 minutes of the movie, so we’ll see his thoughts and then my thoughts on his thoughts. First, though, let’s follow the trailer.

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“Yesterday’s” Comic> Worlds Of Aspen FCBD 2016

I found one more!

Worlds Of Aspen 2016

Aspen Comics (May, 2016–digital copy)

“A Revelation”

WRITERS: Joshua Hale Fialkov & J.T. Krull

PENCILER: Jordan Gunderson

no inker listed

COLORIST: Peter Steigerwald

LETTERER: Josh Reed

EDITORS: Vince Hernandez & Frank Mastromauro

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