BW’s Daily Video> The Difficulty Paradox

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Is Animal Farm Hurting Angel Studio’s Reputation?

I was wondering how to discuss this. While BW Media Spotlight isn’t culture war related, ignoring the negative impacts of the culture war on storytelling is harder and harder to do. Angel Studios’ recent Animal Farm movie is part of the big discussion in storytelling not only because of the movie itself but Angel Studios appearing to do their own “diss” video. When Amandla Stemberg dropped her infamous “diss track” against classic Star Wars fans for not supporting The Acolyte and blamed it on bigotry instead of her show supporting the franchise’s bad guys and screwing around with the lore, it didn’t appear to be done by Lucasfilm or anyone else at Disney. When Robert Picardo attacked classic Star Trek fans for not supporting Starfleet Academy because it made Starfleet look like a bunch of morons, he just pointed a camera at some ducks and compared them to the fan base. Both were stupid but they weren’t done by the studio involved.

The above video, coming from Animal Farm‘s X-Twitter, is officially recognized and produced. So this attack on the fans is not doing them any favors. Whether Angel Studios themselves were involved or just the producers of the movie, it still reflects on them for not even acknowledging one side or the other. Angel Studios gained a lot of support for daring to release The Sound Of Freedom, a movie about fighting child sex traffickers. Nobody else in Hollywood wanted anything to do with it, not even people who support Cuties, but I’m going to leave that alone because it’s off topic and squicky. Although one of the jokes, intentional or not, is taken as a swipe against The Sound Of Freedom because one of the pigs calls his farts that. Even if it wasn’t referencing the movie, given everything else going on it’s not helping their case.

So I want to go over the arguments made by the video, explain what I see as the problem, and may put some perspective on this aside from the angry rants. There is a lot wrong with this movie, and of course the people who made it don’t see the problem. There’s a few comments in particular I want to focus on that show how little they understand about their critics and the movie they were making, and one is typical for Hollywood. For the record I have not seen the movie, nor do I plan to for reasons that will be clear in the review. This is going over the complaints by critics and disses that have become far too often from the Hollywood types and our old SEECA pals.

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Today’s Comic> Energon Universe 2026 Special (FCBD)

This isn’t the time to show off your new smartwatch, Matt!

Energon Universe 2026 Free Comic Book Day Special

Image Comics/Skybound (May, 2026)

COVER: Pve Parr

LETTERER: Rus Wooton

EDITOR: Ben Abernathy

Even taking time away from Golden Age comics I still have an anthology. The main story takes up the bulk of the comic with three short side stories. This adds MASK to the Energon Universe, the latest attempt at a Hasbro shared universe. I already have a separate article about my problems with trying to shove MASK and VENOM in the same universe as Transformers and G.I. Joe, and maybe I will some day. For now I’m going to focus on the presentations we’re given.

MASK

[WRITER: Dan Watters| ARTIST/COLORIST: Pve Parr]

The focus on the story is Miles Mayhem recruiting for VENOM (I wonder what the “E” will stand for now, given how “evil” is treated by modern writers?). His first recruit is Vanessa Warfield, a former CIA agent cut for violent tendencies, which as Matt Trakker points out means they sent their own enemy to blow themselves up by giving her a reason. I’m actually not against this addition to her backstory and she’s less of a man-hating bitch in this story. As Matt and Alex Sector (now a master hacker but they kept his age–that also works) discuss his previous hiring attempts we get Sly Rax in a Russian prison, an expert sharpshooter and psycho. That last part I’m not buying. Rax was more of a greedy snark machine, with a Jack Nicholson style of speaking in the cartoon. He’s not supposed to be Bullseye from the Marvel Universe. There’s no sign of Cliff Dagger, which is disappointing.

Mayhem’s goal is changed here as well. Originally he was just a terrorist in the DC Comics and a criminal gang leader in the cartoon. Matt is of course race swapped again (why Hasbro keeps doing this when Hondo keeps getting the Rhodey treatment I don’t understand), but unlike the IDW take isn’t some taken-in street kid, at least when we meet him, though again Miles was his former mentor and there’s still no sign of his son or his kid brother designing MASK and VENOM’s vehicles and masks until Mayhem’s betrayal. Instead, Mayhem now wants to protect the world from aliens, convinced only he can do it, and we can assume he means the Transformers. Like we haven’t seen that before. Matt summons the other MASK members from around the world, and I’m concerned how that’s going to work. The original team was multiracial but all Americans who lived close enough to keep civilian jobs between missions. Matt comes off better than the IDW version but so much is different from what I already liked, and given how violent Skybound’s other adaptations are (Super Dinosaur was a fluke, I guess, but I really liked that comic) I can guess I wouldn’t like this one, either.

Transformers

[WRITER: Robert Kirkman | ARTIST: Jason  Howard| COLORIST: Sarah Stern]

I’m not even sure why they bothered with this one. It’s so short nothing is able to happen. (Something else I get from the Golden Age reviews.) In what I assume is the Amazon we see a woman fight a giant snake before returning to her dwelling…within the chest of a dead Ironhide. Already I have problems with Skybound’s take on Transformers due to killing off my favorite Autobot in the first story arc. Kirkman took over recently and decided to have Optimus just hand the Matrix Of Leadership over to Elita-One, in a move that made him look weaker than Simon Furman writes him and made Alita into a real bitch, and Arcee is now “Arcee Magnus” because that’s a title now and not just Ultra Magnus’ name. Even TJOmega didn’t like these changes, partly for different reasons than me (you can be important without being the Most Important Ever, but writers can’t seem to grasp that). This is barely a Transformers story, if not for Ironhide’s “shock” reveal as a dead house and frankly didn’t even need to be here. It tells you nothing that would get you interested if you didn’t already like Ironhide. It’s another example of Kirkman using gimmicks instead of continuing a story that had a decent fan following.

Void Rivals

[WRITER/CO-CREATOR:  Robert Kirkman (Lorenzo D Fellici as the other creator)| ARTIST: Conor Hughes| COLORIST: Patricio Delpeche

This is the original series Kirkman shoved into Hasbro’s shared universe for some reason and the only thing I’ve seen link them as an outsider. Some aliens crashland on Junkion, one of the pilots being a sycophant to his mentor. There they meet Arkonus of Cobra-La, who was taken in by the Junkions but will work with the newcomers in favor for a ride back to Earth. How did he get here? Are the Junkions okay with this? Historically they never start out that friendly. In the end I just don’t care, which has been my response to Void Rivals in general.

G.I. Joe

[WRITER: Joshua Williamson| ARTIST: Tom Reilly| COLORIST: Lee Loughridge]

It’s Zartan’s backstory in this continuity, how experimenting with Energon led to his mimicry abilities but turns his skin blue in sunlight. Okay, sure. I guess it works for this continuity. Making him part of some secret shadow group within GI Joe now seeking revenge feels unnecessary. And while a story of Zartan replacing General Hawk sounds good in theory I have trust issues with this whole continuity as it is.

overall

Yeah, I’m still not invested in this universe. While there are crossovers I like, this isn’t one of them.

BW’s Daily Video> A Professional Consultant’s Suggestion For Comic Companies

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Chapter By Chapter> How To Completely Lose Your Mind chapter 7

Chapter by Chapter features me reading one chapter of the selected book at the time and reviewing it as if I were reviewing an episode of a TV show or an issue of a comic. There will be spoilers if you haven’t read to the point I have, and if you’ve read further I ask that you don’t spoil anything further into the book. Think of it as read-along book club.

Last time things seemed to be looking up for Pocket Vinyl, thanks to a series of good fortune…but Elizabeth might be getting hit by the stress of it all.

Out of curiosity I wanted to see who held the record they were trying the break. According to the Guinness website the record holder for “fastest time to play a concern in each of the 50 US states” is currently Adam Brodsky, doing 50 states in 50 days, set in 2003. Presumably this is the record they were trying to beat. Unofficially, according to Google AI but they might be confused by the attempt itself, the duo Devon Allman and Donavon Frankenreiter went for a 49 state tour in 2023, just under the official record. Google thinks they set it and they claim victory on their site, but if they did it’s under a different record keeper. Pocket Vinyl was shooting for 45 with this book coming out in 2023, the same year as Allman and Frankenreiter’s attempt.

We know that this is going to be unofficial, but I’m not going to ruin whether or not they were successful. You’ll have to research yourself or keep following the book. Yes, it’s an old event, but I have to keep some suspense going, right? With that we’ll check out the next chapter. They’re halfway through the tour and we’re about to be halfway through the graphic novel.

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Today’s Comic> The Greatest American Hero FCBD 2026

“How can I NOT see my house from here?”

Greatest American Hero #1 (Free Comic Book Day Edition)

AMP Comics (May, 2026)

WRITER: Dan Handfield

ARTIST: Alper Gelçel

COLORIST: Faradilla Nurmaliza

COVER ART: David Mack

LETTERER: DC Hopkins

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BW’s Daily Video> 1996: Worst Year In Comics?

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