Saturday Night Showcase> Babylon 5

In the 1990s J. Michael Straczynski, who worked on kids shows like He-Man & The Masters Of The Universe and The Real Ghostbusters, made a sci-fi show for adults that would become a classic in science fiction. Babylon 5 began as part of the Prime Time Entertainment Network, a failed attempt at creating a new television network. It came off more like a programming block, and in my area the shows aired late nite on the Fox affiliate, which I’m sure didn’t help. Babylon 5 would be one of the few shows in the lineup, Kung Fu: The Legend Continues being the closest thing to another success, while Time Trax is mostly known to people like me and I couldn’t even tell you what Pointman was outside of not about a superhero. I could have sworn the Tekwar TV movies that adapted William Shatner’s novels and led to a series on the USA Network aired here, but I can’t find evidence of that.

By now you know the deal. It’s the future. It takes place on a space station that’s become a gathering place for races across the galaxy. It has a tough commander, a no-nonsense but likable second in command and security chief…and that’s where you can compare it to a similar show from around that time: Star Trek: Deep Space Nine. Both series would also end up in a war and have a main character go off to be part of some cosmic event, but the details differ. Also, B5 was an intergalactic UN while DS9 was more of a waystation that ended up near a stable wormhole to another quadrant.

If you only know the show when it had left syndication for Turner Network Television, which started on the final season and a bunch of spinoffs, and those later episodes where all the big events happened, you’ll notice differences. Commander Jeffrey Sinclair you’ll be ready for given the future of Valen. Instead of Ivanova we have Takashima, since Tamlyn Tomita opted not to return for the series. Yes, Daniel’s love interest in the second Karate Kid movie. Doctor Kyle shares a skin color with Doctor Franklin and that’s it, with Johnny Sekka leaving for health reasons according to Wikipedia. Thus both characters wouldn’t make it past the pilot. Delenn has a bigger chin than you’ll be ready for because she didn’t do the cocoon bit yet and changes were made to various prosthetics for the series. I had forgotten what her make-up looked like in the old days. Wikipedia said they first planned her as male but the actress couldn’t get her voice low enough so she stayed female instead of transitioning, which is for the best, frankly. Garibaldi and all your other favorites are still here, though our first telepath, Lyta, makes her debut here. The series would take place a year later from “The Gathering”, the name of this TV movie pilot.

Enough about that, though. You came for the movie, and here it is. Note that they’re starting to roll this out on YouTube (odd given the current state of Warner Brothers and the bidding war) but there are places to watch the whole series online already, which I highly recommend. This version is actually a rework by TNT after the series was done. The original PTEN version is sadly not available, with different scenes cut and no references to what’s coming for Sinclair and company. Not much of a special edition since it still has the video game quality special effects. Apparently outer space runs on a PS2 and the original Playstation wasn’t even in stores yet. It was 2257. Enjoy.

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BW’s Saturday Article Link> The Two Spider-Man: Noir Trailers

I know nothing about the Spider-Man: Noir comics except they exist and take place in the 1940s, the home of film noir. I therefore find it hard to judge the upcoming live-action series trailers with Nicholas Cage as the trenchcoated webslinger, with the only change I know being that they went with Ben Reilly instead of a noir version of Peter Parker for whatever reason. In case you missed it, Amazon Prime released two versions of the same trailer, since they’re offering Sony’s Spider-Verse spinoff in both period-accurate black and white and modern day color. I’m using Geeks And Gamers post to show off both versions. I admit I’m kind of curious but unless it’s on the free size I won’t be able to see it even if I wanted to. Also not sure why Sony went with Amazon instead of Disney+ outside of reminding them who has the Spidey license.

CBS Transformers> The Second Draft part 6: The New Old Decepticons part 2

In our last installment we looked at Megatron’s replacement, Negator, Buzzsaw finally getting hid due alongside Soundwave, and that’s it. This is going to end up being a longer section because there’s still five more to go, including the human ally. I didn’t want to break the seekers up.

Seekers is the name collectively given in later years by fans to Starscream and all of the other planes that share his mold type. Ramjet, Thrust, and Dirge come later so we just have Starscream, Thundercracker, and Skywarp. The cartoons all but ignored their toy-given personalities, only keeping Starscream’s null rays and urge to command and Skywarp’s teleportation powers. Thundercracker…is there. He’s kind of a jerk to Starscream and that’s all we really know about Thundercracker. Even the comics back then barely acknowledged him, with more recent comics trying to lean into his questioning being part of the Decepticons and what they’re doing.

So what would our favorite trio of fighter jets have been like under the new CBS story of the Decepticons ruling the planet? Let’s find out.

 

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“Yesterday’s” Comic> Top Notch Comics #2

His friend Gomez prefers trains.

Top Notch Comics #2

MLJ Magazines (January, 1940)

While checking to see what I thought about the previous issues prior to reading #3 I found out I didn’t read #2. The first issue was curious, with a lot of my issues blamed on introducing various characters. So this may be where I decide if I even bother with the third issue. Not much else to say, so let’s get to it.

[Read along with me here]

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BW’s Daily Video> G1 Transformers Comics: Skybound Vs Dreamwave

Catch more from The Megacosm on YouTube

Let’s be fair. the first Dreamwave miniseries tried too hard to be “adult”, though oddly the same writer did a good job with the Transformers Armada comics. (Do a search for my reviews on both.) Even Furman told good stories in the Dreamwave run, though I’m not a fan of what he did with Optimus Prime’s origin, or that it’s taken over the better G1 cartoon backstory. He also had to shove Galvatron in there, but it was pretty good. Also, one correction: sparks came from the Beast Wars cartoon and has been accepted as canon for decades. I’m okay with it, as you see in my own homemade Transformers lore. The 13 Primes? That was Furman, first in the convention comics conceptually and then starting to fill them out in Transformers: The Ultimate Guide. Sadly we’re stuck with those and the Unicron/Primus being gods thing I had to keep in my own lore as multiversal continuity. Hopefully I’ve made it more palatable to myself and you guys liked what I did. It’s in the BW Prose section if you’re curious.

Overall I’m in near full agreement with him. Especially Furman’s other runs, the Bay movie garbage, and humanizing Transformers.

How DC Comics Has Ruined The Joker

The Joker. The Clown Prince Of Crime. That playing card that seems to get little attention outside of building a game show around it, but the villain styled on it gets all the attention. Some would even say too much, but we’ll get into that. The Joker is arguably Batman’s most popular arch enemy, though the Ridder is still my favorite. He’s really popular with the writers and the higher-ups at DC Comics. So you wouldn’t think they’d screw up such an important character.

You really don’t understand the corporate mindset.

They never look to see WHY a character is popular. They just see that he is and want to capitalize on him. That makes the Joker more exciting to writers, who see doing a Joker story as some kind of right of passage even if they aren’t doing a Batman story. Superman’s dealt with him solo. So has Wonder Woman, the Flash, Spider-Man even though he’s not IN the DC universe, and I’m pretty sure that this point Sugar and Spike have run into him, though I could be wrong on that point. Wouldn’t be surprised to see him in Gemworld or some Sonic Disruptors story. I didn’t have to look that last one up. I saw the ad so often I’m surprised I never read it.

The problem is that the main DC Comics have so screwed up the idea of the Joker that fans are calling for him to die…or at least for Batman to do so, because heaven forbid a judge, a cop in the paddy wagon willing to deal with punishment, someone at Arkham, or an army of Gothamites don’t try to do it. Nope, has to be Batman, or at least have Batman allow Red Hood to finish him off. In truth, fans would hate that because at some point want a Joker story. It’s the idea that Batman hasn’t killed the Joker yet to save Gotham, thus violating Batman’s “no kill” policy like he needs to be the Punisher now (though the DC universe has at least two would-be Punishers in Vigilante and Wild Dog), that has actually damaged Batman as a character in some of these fans’ perspective.

However, let’s focus on how the Joker has been depicted in recent years, how DC comic writers (and some movie writers) have damaged the character, and how DC editorial let it happen if not called for it with trade writing and Eventitis.

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“Yesterday’s” Comic> Fathom: Blue Descent #0

I know my collection is spotty, but when did Aspen get the Witchblade?

Michael Turner’s Fathom:  Blue Descent #0

(Does Turner even write his own comic anymore?)

Aspen Comics (digital copy: September, 2012)

CREATORS: Michael Turner & Peter Steigerwald (the latter creating the lore of the Black and Turner the Blue and the franchise)

WRITER: David Schwartz

PENCILER: Scott Clark (no inker listed)

COLORIST: Jeff Chang

LETTERER/EDITORIAL ASSISTANT: Josh Reed

EDITOR: Vince Hernandez

DESIGN/PRODUCTION: Mark Roslan & Peter Steigerwald

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