BW’s Saturday Article Link> The Two Spider-Man: Noir Trailers

I know nothing about the Spider-Man: Noir comics except they exist and take place in the 1940s, the home of film noir. I therefore find it hard to judge the upcoming live-action series trailers with Nicholas Cage as the trenchcoated webslinger, with the only change I know being that they went with Ben Reilly instead of a noir version of Peter Parker for whatever reason. In case you missed it, Amazon Prime released two versions of the same trailer, since they’re offering Sony’s Spider-Verse spinoff in both period-accurate black and white and modern day color. I’m using Geeks And Gamers post to show off both versions. I admit I’m kind of curious but unless it’s on the free size I won’t be able to see it even if I wanted to. Also not sure why Sony went with Amazon instead of Disney+ outside of reminding them who has the Spidey license.

CBS Transformers> The Second Draft part 6: The New Old Decepticons part 2

In our last installment we looked at Megatron’s replacement, Negator, Buzzsaw finally getting hid due alongside Soundwave, and that’s it. This is going to end up being a longer section because there’s still five more to go, including the human ally. I didn’t want to break the seekers up.

Seekers is the name collectively given in later years by fans to Starscream and all of the other planes that share his mold type. Ramjet, Thrust, and Dirge come later so we just have Starscream, Thundercracker, and Skywarp. The cartoons all but ignored their toy-given personalities, only keeping Starscream’s null rays and urge to command and Skywarp’s teleportation powers. Thundercracker…is there. He’s kind of a jerk to Starscream and that’s all we really know about Thundercracker. Even the comics back then barely acknowledged him, with more recent comics trying to lean into his questioning being part of the Decepticons and what they’re doing.

So what would our favorite trio of fighter jets have been like under the new CBS story of the Decepticons ruling the planet? Let’s find out.

 

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“Yesterday’s” Comic> Top Notch Comics #2

His friend Gomez prefers trains.

Top Notch Comics #2

MLJ Magazines (January, 1940)

While checking to see what I thought about the previous issues prior to reading #3 I found out I didn’t read #2. The first issue was curious, with a lot of my issues blamed on introducing various characters. So this may be where I decide if I even bother with the third issue. Not much else to say, so let’s get to it.

[Read along with me here]

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BW’s Daily Video> G1 Transformers Comics: Skybound Vs Dreamwave

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Let’s be fair. the first Dreamwave miniseries tried too hard to be “adult”, though oddly the same writer did a good job with the Transformers Armada comics. (Do a search for my reviews on both.) Even Furman told good stories in the Dreamwave run, though I’m not a fan of what he did with Optimus Prime’s origin, or that it’s taken over the better G1 cartoon backstory. He also had to shove Galvatron in there, but it was pretty good. Also, one correction: sparks came from the Beast Wars cartoon and has been accepted as canon for decades. I’m okay with it, as you see in my own homemade Transformers lore. The 13 Primes? That was Furman, first in the convention comics conceptually and then starting to fill them out in Transformers: The Ultimate Guide. Sadly we’re stuck with those and the Unicron/Primus being gods thing I had to keep in my own lore as multiversal continuity. Hopefully I’ve made it more palatable to myself and you guys liked what I did. It’s in the BW Prose section if you’re curious.

Overall I’m in near full agreement with him. Especially Furman’s other runs, the Bay movie garbage, and humanizing Transformers.

How DC Comics Has Ruined The Joker

The Joker. The Clown Prince Of Crime. That playing card that seems to get little attention outside of building a game show around it, but the villain styled on it gets all the attention. Some would even say too much, but we’ll get into that. The Joker is arguably Batman’s most popular arch enemy, though the Ridder is still my favorite. He’s really popular with the writers and the higher-ups at DC Comics. So you wouldn’t think they’d screw up such an important character.

You really don’t understand the corporate mindset.

They never look to see WHY a character is popular. They just see that he is and want to capitalize on him. That makes the Joker more exciting to writers, who see doing a Joker story as some kind of right of passage even if they aren’t doing a Batman story. Superman’s dealt with him solo. So has Wonder Woman, the Flash, Spider-Man even though he’s not IN the DC universe, and I’m pretty sure that this point Sugar and Spike have run into him, though I could be wrong on that point. Wouldn’t be surprised to see him in Gemworld or some Sonic Disruptors story. I didn’t have to look that last one up. I saw the ad so often I’m surprised I never read it.

The problem is that the main DC Comics have so screwed up the idea of the Joker that fans are calling for him to die…or at least for Batman to do so, because heaven forbid a judge, a cop in the paddy wagon willing to deal with punishment, someone at Arkham, or an army of Gothamites don’t try to do it. Nope, has to be Batman, or at least have Batman allow Red Hood to finish him off. In truth, fans would hate that because at some point want a Joker story. It’s the idea that Batman hasn’t killed the Joker yet to save Gotham, thus violating Batman’s “no kill” policy like he needs to be the Punisher now (though the DC universe has at least two would-be Punishers in Vigilante and Wild Dog), that has actually damaged Batman as a character in some of these fans’ perspective.

However, let’s focus on how the Joker has been depicted in recent years, how DC comic writers (and some movie writers) have damaged the character, and how DC editorial let it happen if not called for it with trade writing and Eventitis.

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“Yesterday’s” Comic> Fathom: Blue Descent #0

I know my collection is spotty, but when did Aspen get the Witchblade?

Michael Turner’s Fathom:  Blue Descent #0

(Does Turner even write his own comic anymore?)

Aspen Comics (digital copy: September, 2012)

CREATORS: Michael Turner & Peter Steigerwald (the latter creating the lore of the Black and Turner the Blue and the franchise)

WRITER: David Schwartz

PENCILER: Scott Clark (no inker listed)

COLORIST: Jeff Chang

LETTERER/EDITORIAL ASSISTANT: Josh Reed

EDITOR: Vince Hernandez

DESIGN/PRODUCTION: Mark Roslan & Peter Steigerwald

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BW’s Daily Video> The Red Flags Of Netflix Narnia

NOTE: Bad language incoming…Gary’s a potty mouth!

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