Jake & Leon #696> Sorting War

We’re also forgetting that Jake’s furniture is mostly made of comic storage boxes. Plus comics take up less space on their own than videos.

At least it’s done, even though it took me a week after to be able to make this comic and do a quick report on the home video inventory for this week’s Clutter Report. You’ll also notice I got this week’s Golden Age comic review in. If you didn’t, check the previous post.

As I write this I’m actually ahead of schedule in my writing, not counting buffer articles like fillers and evergreen article series. I’m at half count there for my minimum. If I can get my buffers going I’ll have a nice bit of break potential. There should be another Chapter By Chapter installment for Star Trek: The IDIC Epidemic plus whatever else comes up that isn’t sorting videos and disks. Have a great week, everyone!

“Yesterday’s” Comic> Science Comics #3

You can’t have too much fire to burn these things with…but we gonna try!

Science Comics #3

Fox Publications, Inc (April, 1940)

I guess this one has been doing okay so far, given that it’s on the continue reading list. Not that any of these characters are all that memorable, going back to a discussion earlier this week on why some characters make it and why they’re worth defending. Should any of these forgotten heroes gotten a second chance? Let’s find out.

[Read along with me here]

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Saturday Night Showcase> Transformers: Rescue Bots With Cullen AND Curry

I said this is how last week’s Peter Cullen and Tim Curry tribute fest should have ended.

Rescue Bots is the outlier in the “aligned continuity”, a poorly named period in Transformers media history as nothing was aligned. Between all four productions–the War For Cybertron and Fall Of Cybertron game series (including a Nintendo exclusive rail shooter Cybertron Adventures, the Hub series Transformers Prime, this show and its sequel Rescue Bots Academy, and Cartoon Network’s Robots In Disguise, nothing really aligned. Timelines were off, Peter Cullen and Frank Welker were the only actors to be on all of them (minus the Rescue Bot shows, as Megatron never appeared, and Academy as the new animation studio replaced the entire cast), and the designs changed between each of them. Basically, Hasbro set up a way to connect everything, and the usual ego trips by the “smarter than the creators” show makers led to them ignoring everything.

Rescue Bots wasn’t even supposed to be part of the Hub’s side of Transformers. Despite Peter Cullen as Optimus Prime again and Bumblebee’s character growth on Prime being reflected in Rescue Bots, including not being able to talk for most of the series, plus the crossovers between this and Robots In Disguise with Sideswipe and Blurr, the preschool show meant to sell the preschool toys was not intended to be part of the series. Since nobody told them, the show reflected its sister series and became canon by circumstance.

As for Tim Curry, he played Doctor Thaddeus Morocco, one of the few human villains in the franchise I actually like. It’s a short list that includes Circuit Breaker from the Marvel Comics, MECH, and Doctor Archeville from the original series. Yeah, that’s pretty much it. Morocco wanted all the high tech stuff on Griffin Rock, the new technology testing ground where Optimus Prime set up the last team of Rescue Bots to help them learn about their home and potentially open friendly relations with Earthlings. Until they were ready, they remained robots in disguise, pretending to be new rescue equipment under the care of the Burns family, a team of rescue specialists. Closest to them was Cody Burns, too young to do the rescue work but old enough to help Heatwave, Chase, Blades, and Boulder (named for the animation studio? coincidence?) learn more about Earth and its ways.

Sadly, it was during this show that Curry had his stroke, leading to him having to bow out of season two, leading to Jonny Rees taking over for the rest of the original show, but tonight’s story is from season one. Though Prime and Morocco don’t interact, which would have been a better topper to the memorial tribute, they’re both here for the season finale.

In this two part episode, Griffin Rock’s lead scientist, Doctor Green, finds a secret chamber, but Cody finds a chamber within the chamber, holding a time machine. In part one he and Doc Green’s daughter Frankie, Cody’s BFF, are drawn into the past along with the Rescue Bots. When the past is altered, our heroes, joined by Bumblebee and Optimus in one of the rare stories where there’s actual battle (no guns by the heroes though Morocco’s “Morbots” get to have them…doesn’t seem fair), must spend part 2 trying to correct history. Are the Burns’ still heroes in this time period, and how was Cody not born in this reality when the rest of his siblings were?

Enjoy! And rest in peace, Peter Cullen and Tim Curry.

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BW’s Saturday Article Link> Reviewing The Reviewers

image source: Multiplayer.it by way of TFW2005

There’s a new video game review site, simply titled VideoGamesCritic. The site maintains their focus is on the gamer and their review rather than only allowing mainstream reviews to be counted. They’re still there, but now everybody gets to rate a game and the professional critics’ voices do not drown out people who actually played the game and have a completely different point of view, plus as a game gets updates so does the score. Meanwhile, mainstream sites make their review and move on due to sheer volume.

As Geeks & Gamers, itself a website that includes video game discussion among other media, reports, the site’s big controversy is that it compares the pro reviews with the amateur reviews from gamers, listing when they differ, essentially reviewing the reviewer. As contributor Marvin Martinaro points out, all that means is exposing the site’s biases so that you can make an informed decision about the reviews whether you agree with those biases or not. That’s not how reporters from the pro sites see it, but as I’ve said more than once, no reviewer (myself included) is without bias and personal preference. All we can do is give our opinion and you the audience decides what our opinion is worth to you. This follows projects like Criticless, where the pros are cast aside entirely in favor of the general public.

So decide for yourself if the website is valid. Check the article and site. I linked to both.

Free Comic Inside> The Sectaurs Toxic Work Environment

Free Comic Inside logo

It’s time to go back to the world of Symbion, where a bunch of scientists accidentally unleash a plague that devastates the world. Totally not relatable, I know. I wonder how their congressional hearings went?

In Symbion’s case, the plague turned humans into bug people and bugs into giants that telepathically bond to human partners. Thus the Sectaurs come to be, fighting over the last vestiges of science because that went so well for them in the past. The heroes of the Shining Realm versus the villains of the Dark Domain, represented with action figures, figurines with action features, and ridable puppets in the original 80s toyline from Coleco.

This minicomic focuses on Skito and Toxcid. Skito is a mercenary in service to the Dark Domain and Toxcid is one of the action figurines. His name is on the comic, but since he’s the bad guy our heroes are the young warrior Zak and his action figurine Bitor. There’s also Princess Belana, who from what I can tell is a media-only character because boys don’t want girls in their toyline or something. From the dialog I can’t tell if she and Zak are an item or not. He keeps calling her “beautiful”, she keeps calling him brave and going about his bravery, but given the speech patterns that could be the usual royal complimenting stuff. Boys don’t want to see guys kiss girls, either, after all.

No credits on these minicomics, which is still a shame. So let’s jump right into the story. You can try to read along with me at Sectaurs.com, a Sectaurs fansite, but the scans are not very good. I could at least figure out what was going on, and by opening the pictures in a new tab I could mostly read what they’re saying.

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BW’s Daily Video> Stargate: SG1 Predicted Star Trek: Strange New Worlds

Catch more from Major Grin on YouTube

Live-Action Gargoyles Canceled–And That’s Fine With Me

Full disclosure so you know whether or not my opinion matters to you: I enjoyed the original series, and I even liked the Saturday Morning Goliath Chronicles. The Marvel comics were too far away from the cartoon, the SLG comics are quite good but I turned away because Brooklyn’s quest for a mate was hitting too close to home, and it turned out that was resolved off-panel due to a trip to Avalon. The fact that he’s my favorite just made it harder. At least one of us found someone (though if I had to choose….). I kind of want to get the issues I missed out on. I have no interest in the current Dynamite series because they’ve already messed up too many of my childhood favorites, so I have no trust in them with something from my teen years. I would like to rewatch the series but it’s on Disney+ and thus not available to me.

I probably lost a log of the fanbase for not hating The Goliath Chronicles. For those of you who are left, thank you for giving me a chance. For the rest of you unfamiliar, Gargoyles was a 90s cartoon technically produced by Disney though clearly not their normal style. It was a Friday replacement for one segment of The Disney Afternoon until it became popular enough to get its own weekday slot and later moved to Saturday morning so Disney could boost their purchase of Capital Cities, ABC and ESPN’s parent company at the time, for their “One Saturday Morning” lineup. If you want to know the plot, watch the above intro. Keith David’s Goliath can explain it much better and cooler than I can.

Anyway, I’ve heard rumblings of a live-action reboot of the series, but word came this week that the project is done, and quite frankly that’s really good news. There are a bunch of reasons why, and I don’t know how excited the fanbase was for it, but they were wrong. This was always going to be a mistake. I’m not even convinced bringing it back in animation would work, but live-action? It’s easy to see how this wasn’t going to match up to the original, and two paragraphs from that article point to exactly why.

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