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Ben Parker, despite only appearing in flashbacks outside of his first appearance, is not just important to the origins of Spider-Man, he might be the most important thing after the spider bite that gave Peter his powers. The ending line of the origin story first presented in Amazing Fantasy #15, “with great power comes great responsibility”, the alleged heart and theme of Peter as Spider-Man, was retroactively attributed to Uncle Ben, a rare example of a retcon done right. When I heard that Uncle Ben was pulled out of Peter’s origin, I thought it was one of those retcon bombs destroying the whole point of the character and why Peter does what he does.
The good news is that Marvel Comics is not taking Uncle Ben out of Peter’s history…yet. Instead it’s the Russo Brothers deciding he shouldn’t be part of the Marvel Cinematic Universe. In a recent interview with the website formerly known as Comic Book Resources, Joe Russo explained what he and his brother are thinking after the multiversal crossover of Spider-Man: No Way Home.
“Spider-Man was one of my favorite characters growing up, If not my favorite,” Joe Russo said in an exclusive interview with CBR’s Sean O’Connell. “And what I related to was this idea of a kid with incredible responsibility, right? And I think you could manifest that responsibility through accidental death, right? And feeling the pressure, and the sense of loss in your life in a way that would keep the spirit that we wanted.
Russo continued: “[But] what Tom Holland is as an actor, if he blamed himself for his Uncle Ben’s death, I think he becomes a very different character. So in our minds, no, he wasn’t responsible for Uncle Ben’s death. That would have been a different interpretation. A more intense interpretation of the character.”
If he becomes a “very different character” because of the actor, then he’s the wrong actor for the part. For the record I don’t have any issues with Holland as Spider-Man. He does okay with the quips and he’s playing a younger Peter who at times is out of his depth with his situation. Part of that is on the writers, but my problems with the MCU Spider-Man, and why I haven’t watched since Homecoming, is the lack of getting Peter’s world and supporting characters right, thanks in part to Sony (who haven’t gotten Peter right since Rami’s second Spider-Man movie–and even then there’s the whole “organic webbing” nonsense) not wanting to risk damaging the character with its iconography if MCU Spidey failed–and currently it’s been the only thing the MCU has gotten praise for. So that was for nothing.
However, to pull Ben out of the origin, and I think we all suspected that since Homecoming, is to show how little you understand about the character. Then again they don’t understand anything else given what they did with the supporting cast, but for someone who claims to have been a Spider-Fan from the earliest years we instead have what looks like the usual “oh, I’ve always loved…” line that usually turns out to be more Hollywood BS.
Stitch! Best Food Forever–Comics Giveaway Day 2026
Tokyopop (May, 2026)
WRITER: Tom Mason
SCRIPT TRANSLATION: S. Hagino & S. Nemoto
ARTIST: Nao Kodaka
COVER DESIGNER: Sol Deleo
RETOUCH/LETTERING: Vibrant Publishing Studio
EDITOR: Andy Rogers
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LEGO Batman FCBD Special Edition (a tie-in to the upcoming Legacy Of The Dark Knight game)
DC Comics (June, 2026)
“The LEGO Batman Returns”
WRITER: Ivan Cohen
ARTIST/COLORIST: Paul Lee
LETTERER: Tom Napolitano
EDITOR: Michael McCalister
Fanfics, Not-Stalgia, Or Brandfics?
Because of course it looks like the Atari symbol. Branding is important you know.
Since I’ve started this site I’ve found myself coming up with new terms that explain what I see going on in the storytelling world. The latest was “SEECA“, an acronym of “Snobs, Egotists, Elitists, Corporatists, and Activists”–the five biggest problems with modern entertainment across the board. Others have included “Eventitis“, an overreliance on huge event stories over smaller stories that let us get to know the characters better, or “multiversal continuity”, those core aspect of character, design, and backstory that says “this is (X). “Mockstalgia”is a mocking of older material often passed off as parody, while “Not-stalgia” is something claiming to be nostalgic but isn’t.
That last one could be seen as a subset of a new term that came to mind while listening to my favorite wake-up podcast, Morning Nonsense. Literature Devil‘s topic yesterday was on how fanfic has ruined modern storytelling. To be more precise, fanfic is a good way to learn the ropes and improve your craft. There’s a few of mine in the Prose archive. I started from fanfic, then moved to derivatives (I should show you my 6th grade comics sometime), and then finally towards original ideas inspired by the stuff I was into enough to make fanfic of. Sure, I cringe at some of my old fanfic. The one or two Voltron comics I still have are kind of cringe, while the “War Of The Fools” parody of the George Pal War Of The Worlds movie, because I really liked his take on the invader ships, was the same dumb joke every time. I also named one of them “Joe”. Kid me was an idiot.
(Then again, a group sprite comic project I was part of outside my planned solo series had me creating a vegan zombie.)
The problem is when you approach an official project like a fanfic. You make the same mistakes but rather than doing it for fun or practice you’re making official canon and lore, so if you screw it up just to “leave your mark” you screw over previous writers or later writers have to fix your mistakes, the only time the retcon is a good thing and sadly not how they retcon things anymore. The best example I could use is the Marvel Cinematic Universe and its various streaming offshoots. They’re more interested in “wouldn’t it be cool if…” rather than “would it make sense to the story as has been presented all this time”. It’s because they really don’t care about even previous movie canon, nevermind accuracy to those silly little comics that sit low on the media pecking order above the “superior” movies, made by the “real” storytellers in live-action Hollywood.
So is that not-stalgia? No, those are “adaptations” of something currently around. Nostalgia is something that is no longer making new stories but you still fondly remember it. Not-stalgia would be something like the Underdog movie while mockstalgia is more the CHIPS or Baywatch movies. You can’t call it “hatefics” as some people in the Morning Nonsense chat suggested because that would require them to care about the comics enough to hate them. The showrunner of Echo didn’t care, she just wanted to tell the story she wanted to tell regardless of how well it matched the character. She-Hulk: Attorney At Law could be hatefic but the hate was less for the comic than the comic lovers.
Suddenly I had an epiphany that still stuck with me after I fully woke up. The best way to describe these particular bad adaptations goes into what they really want from the material: a popular brand they can trick people into going to in order to see their “superior” ideas. Ladies, gentlemen, and the rest of you, I give you….Brandfic. It’s like a fanfic or a hatefic or a dontcarefic, but lazier and more ego-centric.
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Posted by ShadowWing Tronix on May 6, 2026 in Comic Spotlight, Movie Spotlight, Streaming Spotlight, Television Spotlight and tagged adaptation errors, brandfic, commentary, Cowboy BeBop, DC Extended Universe, DC Universe, Fanfic, FanFiction, Marvel Cinematic Universe, Marvel Universe, not-stalgia, Star Trek, Star Wars, The Rings Of Power.
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