CBS Transformers> The Second Draft part 8: Potential Episodes part 1

I love when these guides do this.

Last time we looked at how the show would have been formatted under this pitch. Now we get sample episodes. When it comes to shows we got I like to match up these plot ideas with the episodes we got in the final product. Did they make them? Were there any serious changes? Were ideas just tossed out completely? And are we better off without the ones dropped or would the episodes have been better going in the original direction?

This is a bit different from other times I got to do this. We DID get a Transformers cartoon, but not this one. This pitch kept only the bare minimum from the original miniseries, while what we got was a proper continuation, complete with the original cast of Transformers and humans. The rules of Saturday morning didn’t apply to weekly, later weekday, syndication. And yet both were done by Marvel Productions and Sunbow. The only writer attached to the project currently is Jeffrey Scott, who wrote both drafts. While working on the main series isn’t in his lengthy writing credits, and I don’t know how many other writers were involved in making these episodes, they would still have this bible. Elements would be picked up for the show. So who’s to say the episodes wouldn’t?

When we finish this document we even have a full script to go over, but for this and the next installment of this article series we’ll take a look at the plots suggested for the show. In total there are 13 episode ideas (and we do start off this section continuing to break the fourth wall but in the same “computer file” format we’ve seen throughout) plus some final notes. 13 episodes is in keeping with the amount required for a weekly show: thirteen weeks worth of episodes. So I’ll see how many I can get in this article before getting to the larger word count, and figure out how long this will take. Either way, this series is nearing the conclusion.

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“Yesterday’s” Comic> Jumbo Comics #12

He was embarrassed to find out it was the wrong boat and this was her idea of a good time.

Jumbo Comics #12

Real Adventures Publishing Company, Inc (February, 1940)

I apparently missed this one. I was neutral but hopeful in my review of the previous issue. Hopefully this one is worth the time. Doing these Golden Age reviews takes about as long as a regular article, which is why I avoid the gag pages and text stories to speed these along. I only have so much time in my day so I’m trying not to review every Golden Age comic, just the ones that interest me. It’s how stuff gets into “Yesterday’s” Comic otherwise, so why not these as well?

[Read along with me here]

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BW’s Daily Video> The Forgotten Spider-Man Cartoon

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Connecticut was brought up. I’m from Connecticut (still here) and I don’t remember this one airing. The original (the 60s cartoon mentioned) aired in reruns and I did catch them, but I never got to see this version until UPN put it in their Sunday morning slot (rather than compete with other networks’ Saturdays I guess), and finally realised what adventures some of the Amazing Friends episodes referenced, like Spidey’s earlier meeting with Magneto.

Watchmen: Preparing For A First Time Read

It’s a new logo, so you know it’s a new article series here at BW Media Spotlight.

Watchmen is somehow both a step forward in comic design and a step backward at superhero writing. It might not have been the intention of writer Alan Moore to ruin how modern writers approach superheroes, and artist Dave Gibbons didn’t set out to change how we view panel layouts, but both those things happened. For good or bad, Watchmen became a quintessential part of understanding comic book storytelling.

And I never wanted to read it.

I know the story, I know what its done, and even if it didn’t change comics forever it wasn’t my kind of story. I’m just not into grim and gritty “adult” superhero deconstruction, and this is arguably where it all began. I can appreciate its importance in comic book history, which no matter what else I think of it the comic totally deserves its place, but it’s not a story I was ever interested in reading, or seeing the various adaptations into motion comics and live-action, or audio dramas, or an HBO program loosely based on the concept, or a video game that doesn’t sound like it was made very well. And I probably would have kept that streak up throughout my life…until Free Comic Book Day 2025.

To promote his comic, The Hollow Earth, creator and Grey Goblin Cartoons co-founder Keith Fields held a game meant to introduce the strange world of his comic. I played the game. I won. The prize was one of the many reprints of the Watchmen trade along with two of the three sequels: Doomsday Clock, which crossed over with the main DC Universe, and Rorschach, which I believe is a prequel. I didn’t make it to the full launch part of The Hollow Earth. Maybe Before Watchmen would also be in my collection if I had. I don’ t know. Hope the comic did well, because Google is pointing me to every Hollow Earth comic and non comic usage except for that one.

So now I had a comic I never wanted to read. I would have felt bad returning them since I don’t own them, and then I remembered I have this site. I have never read this comic. Oh, I’ve heard much about it, including some of the important story highlights, but I’ve never actually read it. It’s near impossible to go over this comic for the first time completely spoiler-free. Due to its historical importance everyone knows this story by now. Still, as someone who read and slowly reviewed Seduction Of The Innocent out of sheer curiosity, to see if it deserved its scorn (it was actually undersold how crap it is but for different reasons than you get from the internet–check out my reviews sometime), why not do the same here to see if it deserves its praise?

And so Watchmen: A First Time Read will do exactly that. It’s my first time actually reading the book. Before I begin, let me show you where I am and what I know going in, to get an idea where my biases are already going to lie as I start. No review is truly unbiased, but I like to put my cards on the table. It’s why I’m a lousy gambler. WARNING: Spoilers from here on out and in the upcoming installments of this and the follow-ups! Just so you’re warned.

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“Yesterday’s” Comic> Michael Turner’s Fathom Vol. 3 #0

I have this sudden urge to go swimming.

Michael Turner’s Fathom volume 3 #0

Aspen Comics (digital copy–February, 2011)

WRITER: J.T. Krul

PENCILER: Alé Garza

INKER: Sal Regla

COLORIST: John Starr

LETTERER: Josh Reed

EDITORS: Frank Mastromauro & Vince Hernandez

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BW’s Daily Video> Why Do Superheroes Wear Capes?

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What People Are Missing About The Avengers: Doomsday Plot Leak

 

So while I was mining one online rumor for a creative challenge, another was taking center stage. On the off chance you haven’t heard, Comic Book Movie was releasing what it says (potential spoilers, then, for most of this article)  is a leak to the plot for Avengers: Doomsday, the first of two, possibly three, movies that sees the return of the Infinity Gauntlet duology’s directors and using a plotline that is not exactly celebrated by comic fans. That’s not a surprise given the only time they get anything from the comics it’s something comic fans weren’t happy about. Apparently the only time you’re allowed to take something from the comics is when you can screw it up and annoy the actual fanbase you should be courting. After all, they’re the ones who are most likely to go to the theaters and buy the merchandise unless you do something stupid like everything Marvel Studios does these days. Why wouldn’t you want to chase them off…if tanking the company and ending superhero movies as popular genre was your goal. I’m not putting it past them, mind you.

More popular reviewers than myself have already dissected the leak, which we can neither confirm nor deny even though it lines up with previous alleged leaks, so being a day late I’m not going to bother. We’ll still go over parts of it, but there’s something that every reviewer I follow has been missing out on. Maybe it’s because of things I’ve noticed about the entertainment industry lately. Maybe I’m going into some conspiracy theorist mode. Either way, and I’m trying to pad out the homepage as best I can, I see more than altering the landscape of the Marvel Cinematic Universe by using Secret Wars to pull a New 52. In their continuing self-important hubris I think the current creators of Marvel Studios are trying to be the only game in town, at least in fans’ eyes, which will backfire if I’m right. I don’t think this is just about altering the MCU. I think they’re going after all of Marvel media going as far back as the Captain America serials.

One example may be a coincidence born of willful ignorance, as there’s a producer whose name I keep forgetting that insists nobody who understands comics should be making their movies. The rest? It’s a result of everything wrong with Hollywood in general and Marvel Studios at current specifically. Right from the opening scene it’s clear what their real goal is, or I’m losing it. Frankly either or both is possible at this point. I did take time to geek out on multiverse numbers again, but I do so for good reason. First, let’s see how this begins.

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